Human.4 Read online

  EGMONT

  we bring stories to life

  First published in the United Kingdom by Egmont UK Limited, 2011

  First published in the United States of America by Egmont USA, 2011

  443 Park Avenue South, Suite 806

  New York, NY 10016

  Copyright © Mike A. Lancaster, 2011

  All rights reserved

  1 3 5 7 9 8 6 4 2

  www.egmontusa.com

  www.mikealancaster.com

  Library of Congress Cataloging-in-Publication Data

  Lancaster, Mike A.

  Human.4 / Mike A. Lancaster. — 1st American ed.

  p. cm.

  Summary: Twenty-first century fourteen-year-old Kyle was hypnotized when humanity was upgraded to 1.0 and he, incompatible with the new technology, exposes its terrifying impact in a tape-recording found by the superhumans of the future.

  ISBN 978-1-60684-099-3 (hardcover) — ISBN 978-1-60684-241-6 (electronic book)

  [1. Science fiction. 2. Computer programs—Fiction. 3. Technological innovations—Fiction. 4. Family life—England—Fiction. 5. England—Fiction.]

  I. Title.

  II. Title: Human point four.

  III. Title: Human.four.

  PZ7.L2205Hum 2011

  [Fic]—dc22

  2010030313

  Book design by Room39b

  Printed in the United States of America

  CPSIA tracking label information:

  Random House Production • 1745 Broadway • New York, NY 10019

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the prior permission of the publisher and copyright owner.

  To the girl in Cromwell that

  I fell in love with and

  who I am proud to call my wife.

  “We are all in a post-hypnotic trance

  induced in early infancy.”

  —R. D. Laing

  “Is all that we see or seem

  But a dream within a dream?”

  —Edgar Allan Poe

  “History doesn’t repeat itself, but it rhymes.”

  —attributed to Mark Twain

  Contents

  Kyle Straker’s First Tape: Side One

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Side Two

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Kyle Straker’s Second Tape: Side One

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Side Two

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Kyle Straker’s Last Tape: Side One

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Side Two

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Afterword

  WARNING:

  THIS DATA STORAGE UNIT, OR “BOOK,”

  HAS BEEN DESIGNED TO REPROGRAM

  THE HUMAN BRAIN, ALLOWING IT TO

  REPLICATE THE LOST ART THAT WAS ONCE

  CALLED READING. IT IS A SIMPLE

  ADJUSTMENT AND THERE WILL BE

  NO NEGATIVE OR HARMFUL EFFECTS

  FROM THIS PROCESS.

  WHAT YOU ARE DOING: “READING” EXPLAINED

  EACH SHEET IS INDELIBLY PRINTED

  WITH INFORMATION AND THE SHEETS

  ARE VISUALLY SCANNED FROM LEFT TO

  RIGHT, AND FROM TOP TO BOTTOM.

  THIS SCANNED INFORMATION IS PASSED

  THROUGH THE VISUAL CORTEX

  DIRECTLY INTO THE BRAIN,

  WHERE IT CAN THEN BE ACCESSED

  JUST LIKE ANY OTHER DATA.

  EDITOR’S NOTE

  When Danny Birnie told us that he had hypnotized his sister we all thought he was mad.

  Or lying.

  Or both.

  These are the words that begin the spoken narrative of Kyle Straker. It’s a story that many have heard about, but few have had the opportunity to hear for themselves. It is both a piece of oral history from a time we are largely unfamiliar with—the early twenty-first century—and a tale with dark depths that, if true, has important lessons for us all to take away from it.

  For those unfamiliar with the history of the Kyle Straker tapes, a brief recap might be helpful. The tapes were discovered two years ago, in the under-stair cupboard of a house in the small Cambridgeshire village of Millgrove. The first tape was labeled DIRE STRAITS. Luckily, the finder was an antique music enthusiast, who had the necessary analog equipment to play back the tapes, otherwise the story of Kyle Straker would have been condemned to the dustbin of lost history.

  After discovering their true contents, the tapes were passed on to the authorities. They have been the subject of much controversy and debate ever since.

  The peculiar format that you are holding—a book—was still the dominant form of information storage at the time the tapes were made. There is a reason that I insisted on this archaic format that will, I hope, become apparent as the narrative progresses.

  If the story you are about to read is true, then this work is respectfully dedicated to the 0.4.

  Mike A. Lancaster,

  Editor

  KYLE STRAKER’S FIRST TAPE

  … Is this thing on?

  Testing testing.

  One two. One two. Two.

  Ha. You know those roadies who get up onstage and test all the band’s gear before a gig? And they do all that “testing testing, one two, one two” stuff into the microphones, to make sure they’ll work when the singer finally takes the stage. Well, Simon once said that the reason they said “one two, one two” was because roadies couldn’t count to three.

  Made me laugh, but I guess you had to be there.

  Anyway—how can you tell if these things are even working?

  I mean, low tech or what?

  Still, of course it’s low tech, it’s a tape recorder. An old and battered relic of a time before digital storage and CDs; iPods and MP3s; memory sticks and SD cards.

  At least it works. I wasn’t sure it would, it had been abandoned and left to rot in the cupboard under the stairs.

  I kinda know how it feels.

  Anyway, the tape player is old—it was made by Amstrad, the company started by that rude bloke off The Apprentice. Mum used to love that show. Even went through a phase of saying “You’re fired” for a while when we did something stupid or naughty.

  Funny the things you miss.

  NOTE—“The Apprentice”

  What was known—ironically as—“reality TV.” Entwistle, in his paper “Manufacturing Nothing—Light Entertainment,” writes: “Afraid to see the world around them as a larger picture, people instead reduced their views of the world to the tiny, artificial windows they called ‘reality TV.’ What is certain, however, is that real
ity played little or no part in such programs.”

  Oh, well. I’d better get on with putting this on to tape; the story I have come back home to record. I’ve been making notes for weeks, jotting down the things I remember—the conversations, the impressions I had at the time—just so I could do this. Make this tape. Tell you these things in my own voice.

  I’m doing it in the hope that someone will listen and realize that everything has changed.

  Changed forever.

  That the world they are living in is not the one it has always been. That there are a few of us left who can remember the way things were—the way they were meant to be.

  Looking back is easy, but there’s a temptation to fill in blanks. I’m going to try to tell it as it happened to me, all in the right order and everything, without filling in any of the stuff I learned later. That’s why my notes are going to be important.

  I even know the way the story starts, the very moment it all started to change. The crazy thing that Danny said, that summer afternoon.

  And, yes, Dad, I’m taping over one of your Dire Straits albums.

  Something you should have done a long time ago.

  CHAPTER 1

  When Danny Birnie told us that he had hypnotized his sister we all thought he was mad.

  Or lying.

  Or both.

  The sister in question is a couple of years older than him and never struck me as the kind of girl who’d fall for any of Danny’s nonsense.

  She had to be used to it.

  She lived with him.

  So she had seen through his short-lived preoccupations with stamp collecting, and through the difficult withdrawal from his Pokémon addiction. She was even used to his new obsession with becoming the next David Blaine, and the hours he spent practicing with packs of cards.

  She always struck me as the kind of girl who’s going to be a star. Some people are just like that. You know that they will, as my granddad used to say, land butter-side up.

  There was no way that Danny—who, no matter how hard he tried, would always end up butter-side down—could have done what he had told us he had.

  Danny’s face was pale and thin, with dark semicircles under each eye, and his hair was a dirty-brown color, tousled on top. He was small for his age. Heck, it was my age too—and that’s fifteen and a half, thanks for asking—and I was almost a full head taller than him. And he seemed to exaggerate that smallness by hunching his shoulders and bending his back.

  “You should have seen it,” he said, his eyes sparkling with excitement. “It actually worked. I mean, I knew it could work, but still, I didn’t really think it would.”

  He ignored our disbelieving looks.

  “I got her to relax. And I guided her into a hypnotic state. I didn’t even need to say ‘sleep’ like they do on the telly. As I relaxed her, her eyes closed and her body went … sort of floppy. I hadn’t even thought about what I’d get her to do when she was hypnotized, to be honest. So I told her that she was late for school—it was well past eight in the evening—and suddenly she flew into a panic, running around, throwing stuff into her school bag, and complaining about the alarm clock not waking her up.”

  He shook his head.

  “It was priceless,” he said.

  He waited for one of us to say something.

  And waited.

  There was just me, Simon McCormack, Lilly Dartington, and Danny. We all lived down the same road in the small village of Millgrove, and we’re all roughly the same age, so we tended to hang out together.

  We were in “the shed,” the bus shelter that squats by the side of the village green, and it was one of those long, hazy summer days that seem to stretch out into something closer to a week. To local kids, the shed was a place to meet up, hang out, practice some inept graffiti, and generally waste some time.

  Across the green from the shed was the Methodist church, and next to that the combined infants and junior school that we all went to before moving to secondary school in the next village over, Crowley.

  NOTE—the “Methodist Church”

  A church was a building for the safe containment of primitive religious rites.

  There was not a whole lot to do in Millgrove.

  We couldn’t get high-speed broadband yet and we were in the middle of a mobile-phone dead spot, which meant you couldn’t get a signal within the village itself. We were one of the last generations in the country who didn’t rely on mobile phones, although there were rumors that a new mast was going to help us catch up to the rest of the twenty-first century one day soon.

  There was a tiny playing field where the older kids tried out smoking and train for future binge drinking, so we tended to avoid that. Then there were the three shops—a Happy Shopper, a family butcher shop, and a newsagent.

  NOTE—“Happy Shopper”

  A retail outlet whose name demonstrates the period’s love of oxymorons—phrases that contain contradictory terms. Other examples are: “civil war,” “reality TV,” “constant change,” “military intelligence,” and “friendly fire.”

  The shed was pretty much in the center of the village, near enough to the shops in case we needed supplies, and it had a roof in case of English summer rain.

  Simon and I had been friends for years. In all honesty I can’t even remember how our friendship came about. Sure, we had a lot of the same interests and attitudes about things, but all that came later … I mean, it was revealed over time, so there must just be some … I don’t know … instinct for friendship that’s separate, somehow, from all of that.

  Without the friendship, we’d never have discovered the reason we were friends.

  You can drive yourself mad going round in paradoxical circles like that.

  Simon and Lilly had been going out with each other for a while now, and seeing as Simon was my best friend, I got pulled along with them a lot these days. It was weird getting used to sharing a friend … and … well, Lilly and I weren’t getting on that well if the truth be told.

  Danny lived next door to me and kind of just clings on to my coattails. Again, I don’t know exactly why. Simon and I made him the butt of a lot of jokes but he just shrugged it all off.

  That day we were just trying to fill up the day while using as little energy as we could.

  And then, of course, Danny told us that he had hypnotized his sister.

  Simon stared at him with a disbelieving look that summed up how the rest of us felt about Danny’s revelation.

  “You hypnotized Annette?” he said, and the spare disbelief he hadn’t managed to put into his stare was crammed into the scathing way he said those three words. There was even a snort at the end of it.

  Danny seemed to miss the incredulity and nodded.

  “I’ve been reading a lot of books on the subject,” Danny said, “and I’ve been watching lots of Paul McKenna and Derren Brown on DVD. With the talent show coming up I thought I might ditch the magic act this year and do a bit of stage hypnotism. You know, make people bark like dogs, or eat an onion as if it’s an apple.”

  Simon groaned.

  Of all of the area’s customs and traditions, the Millgrove talent show was by far the oddest. Every summer since Queen Victoria was sitting on the British throne—with a two-year gap during the Second World War—the people of Millgrove had gathered on the green to compete in the competition. Even when local lads were dying in the trenches in the First World War, the tradition continued.

  Local folklore says the talent show began because of a dispute between two farmers, who’d fallen out over a woman and needed some way to settle the matter. Rather than firing pistols at each other, they each wrote a song for the girl and performed it on the green in front of the entire village, who were the judges of the competition. The village might have forgotten the men’s names, but a version of their way of settling the argument was resurrected over a hundred years ago and still continued.

  The talent show.

  Weeks, even months in so
me extreme cases, were spent preparing acts (and I’m using that term loosely, most of them were lame karaoke offerings to amateur-sounding backing tracks) for the grand prize—a battered old cup and some WHSmith gift tokens. As long as it was a slow news week, there was a chance of a feature about the show in the Cambridge Evening News, with the winners grinning at the camera, holding their prizes.

  Who was it who said something about everyone having their fifteen minutes of fame?

  In Millgrove it was more like fifteen seconds.

  To me the talent show had always been a bit of a cringe, really. When I was eight years old, my dad told that me that, as I was always cracking jokes and making people laugh, I should have a go at being a stand-up comedian at the show.

  NOTE—“Cracking Jokes”

  Humor was, according to Andrea Quirtell, an important coping mechanism for the horrors of the age. Some people actually counted “comedian” (or “joke teller”) as their trade.

  Quirtell identifies a number of different types of joke. There are: “puns” (which confuse the meanings of words for humorous intent), jokes that work only when written, jokes that appear in the form of a question, jokes that rely on bizarre or ambiguous language.

  Immanuel Kant believed that people laughed at constructions like these because “(L)aughter is an effect that arises if a tense expectation is transformed into nothing.” Quirtell disagrees. “Laughter is an effect that arises if a race refuses to grow up,” she writes.

  All in all they were the most embarrassing minutes of my life so far, even beating the moments Mum spent getting out the baby photographs the first time I brought a girlfriend (Katy Wallace, it lasted three weeks) home to meet the folks.

  I discovered that there is a huge difference between knowing a few jokes and being a stand-up comic. I don’t think I got a single gag right. I fluffed a punch line early on and then made a mistake in the setup of the next joke that made its punch line irrelevant. Sweating on the makeshift stage, with hundreds of faces staring at me, I dried up and just looked out at them in the grip of a huge panic attack.